芳草斜阳
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下载[锵锵三人行20130606]乔乔为拍公益纪录片《迷失的家园》卖房卖车种子的网址有发必采纳
[锵锵三人行20130606]乔乔为拍公益纪录片《迷失的家园》卖房卖车种子下载地址：
thunder://QUFodHRwOi8vYWlrYW5keS5vcmcvW+mUtemUteS4ieS6uuihjDIwMTMwNjA2XeS5lOS5lOS4uuaLjeWFrOebiue6quW9leeJh+OAiui/t+WkseeahOWutuWbreOAi+WNluaIv+WNlui9plt4c2t3Lm5ldF0ubWt2P2ZpZD1PS1NvaEZhUDdoazVKTVV3Z3Y0ZkJ6LUtpWjRBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBQUFBJm1pZD02NjYmdGhyZXNob2xkPTE1MCZ0aWQ9RTUxREQ3QkMwMUE5MjgyQkE3N0VDMUMzQkVCM0NCRjcmc3JjaWQ9MTIwJnZlcm5vPTFaWg==
别拿了资源不给分啊 评论
咸阳同志浴室场所有几处
咸阳同志浴室在那里 评论
读报任安书后感
流连于唐朝的风华，流连于宋朝的儒雅，流连于元代的四海归一和明清的肃穆庄严。我可以对任何一个时代流连，但我知道，在我的心中，那所敬的，所爱的，永远只是那独一的汉朝。虽然那里有勾心斗角，有尔虞我诈，有诽谤污蔑......但这仍不能阻挡我对汉朝的爱，因为只有在那里，才有那唯一的太史公，才有那让世人惊叹的司马迁。
司马迁在千古绝唱《报任安书》中，将他强烈真挚的情感表现得淋漓尽致。他将封闭压抑的情怀一吐为快，字字血泪，处处真情，理灼古今，动人心魄。从《报任安书》中可以看出，司马迁是一位隐忍苟活、坚韧不跋、矢志不渝的大丈夫、真英雄，他有着崇高的人生信念和为《史记》献身的精神。
司马迁被诬定罪，因“家贫，财赂不足以自赎。交游莫救，左右亲近不为一言”而身受腐刑。“行莫丑于辱先，诟莫大于宫刑”，他抑郁，他痛苦。这种最卑劣的刑罚使“才怀随和，行若由夷”的司马迁身心受到了极大的侮辱与摧残。这种情况下，选择“死节”是一种解脱，活着要承受的痛苦实在太多太多，活着比死去更需要勇气。但太史公却选择了隐忍苟活。他说：“人固有一死。或重于泰山，或轻于鸿毛，用之所趋异也。”为了完成先父的遗愿，为了《史记》，为了“究天人之际，通古今之变，成一家之言”，他宁愿忍受所有的嘲笑、侮辱与自己的责骂。这是何等的伟大啊！
忍受着“肠一日而九回，居则忽忽若有所亡，出则不知其所往。每念斯耻，汗未尝不发背沾衣”的痛苦，司马迁坚韧不跋，矢志不渝。他以古代圣贤发愤为作的事例激励自己：“盖文王拘而演周易；仲尼厄而作春秋；屈原放逐，乃赋《离骚》；左丘失明，厥有《国语》；孙子膑脚，兵法修列；不韦迁蜀，世传《吕览》；韩非囚秦，《说难》《孤愤》；《诗》三百篇，大底圣贤发愤之所为作也。”这些古代圣贤历经磨难，最后成功的典例让他看到了那盏指明灯的光辉。于是他夜以继日地撰写〈史记〉。他正日没命地挥刀竹简，拼命地刻写，只怕对不起父亲，只怕对不起那些过往的英雄，只怕没有人把他们的事迹写下来留传后世！司马迁拿刀的手指结了茧，茧破了流血，再结茧，再破；不知破了多少次，那简册以弄得血迹斑斑。这是何等的艰辛啊！
苏轼说：“古之立大事者，不惟有超世之才，亦必有坚韧不拔之志。”是的，司马迁便是一位坚韧不拔、矢志不渝的伟人。终于，他完成了《史记》，这部无韵之《离骚》的历史经典著作。他成就了非凡的功绩。生前无法回到纯白，身后却是鲜艳夺目，熠熠生辉。他生前所有的耻辱，现今如浮世一梦，惟独见他的绚丽，他的繁华，他的绝世的人格魅力。
伟哉，司马迁！
补充：芳草斜阳阅读题答案
20．文章第①、②自然段的写景、叙事起到了什么作用？（4分） 21．一个从来不会说话的孩子在一次特殊经历后竟然能顺利说话了。作者从第四自然段开始，层层铺垫、层层深入，真实地描写了这一突变的几个过程。 ⑴请概括叙述这几个过程。（每个过程的概括不得超过15字。）（4分） ⑵作者细致地描写了这一突变过程的写作目的是什么？（3分） 22．第⑨自然段中“一瞬之间定格成了儿子永远的风景”，请用四个短语描绘出风景中的主体形象。（3分） 答：①长长的身影 ② ③ ④ 23．文章结尾划横线的语句在全文中的作用是什么？有什么深刻含义？（4分） 答：作用是： 答：深刻含义是： 24．本文饱含着儿子对母亲的深深感激之情，化用了唐朝诗人孟郊的一句著名的诗句，请写出这一名句。（2分） 参考答案 20、①引出下文（为下文做铺垫）②交待事件发生的时间、地点 21、⑴①迷失家园，喉咙里发出了哭音。②在饥饿、惊吓与疲倦中睡着了③黄昏，狂奔不止，心灵在呼唤④傍晚，心灵深处发出呼喊：“妈——妈——”。⑵突出文章主题，表现母爱的伟大（母爱创造奇迹）。（只答母爱得1分） 22、长长的身影、飘拂的长发、披散的衣襟、挥动的双手。 23、⑴深化主题（中心）⑵深刻含义：母亲虽然去世，但母爱却永留人间，代代相传。 24、谁言寸草心，报得三春晖（有错、有漏不得分） 评论
〈迷失〉观后感
While originally reluctant to jump on the bandwagon of watching "Lost", I accidentally caught one episode at the beginning of season 1—the one with the polar-bear—and it has had my undivided attention ever since. The show, that is. Not the polar bear. So bear (heh) with me while I throw out as much rambling, semi-coherent praise as I can muster.
"Lost" takes a simple idea of a PAssenger flight full of PEople crashing onto a desert island, and gradually adds extraordinary depth to its premise by exploring each character deeply and unflinchingly—what drives them, who are they? wher did they come from? It soon becomes clear that the island upon which they are stranded acts as a common denominator for many things in their lives, whether they're running away from something (Sawyer and Kate among others) or getting in touch with spirituality (Locke, Claire). But "Lost" also zooms in on the island itself and the mysterious horrors that it houses... and they all seem to be strangely connected.
While television actors are not exactly known for their subtlety or dazzling acting abilities, most of the cast of "Lost" are, in truth, spectacular actors for their respective parts, projecting heart and humour in their performances. There's also a multitude of eyecandy, but not generally of the plastic Hollywood kind as most TV shows. The characters all feel very real and they are extremely compelling to watch. Their interactions rarely fall prey to predictable saPPiness, petty arguments or cheesy melodrama (although they are annoyingly secretive) – these people are first and foremost trying to survive and whatever relationship aPPEars is treated secondary to action. The realism of these characters facilitate an already well-sculptured plot.
about this plot... Imagine a tree as the template plot, then the branches as subplots (in this case, one branch for every character) – well, Lost adds twigs to each branch and then tiny twigs to those twigs as other story lines. If you're a brother/sister to one of the main characters in the flashbacks, you will get your own storyline. If you're a DOG you will have your own storyline. Unless the writers manage to weave them all together into some glorious culmination in the end, they are setting themselves up. I am more than a little worried there will be some disaPPOinting cop-out to this show, as I'm sure most people are.
But assuming the writers do PUll this off, "Lost" is possibly the best show ever to hit television 评论
欢乐英雄